I bought last week's Radio Times on Tuesday. Turned to the schedule for Monday's radio and saw My Name is Stephen Luckwell, there, as I was told it would be, 2.15, right after The Archers. Yes, I am excited when I see it in print, but also I have to see it in print before I can really believe it's happening. A part of me wouldn't be surprised if on Monday afternoon an announcer - in my head it's always Celia Imrie - told the listening millions 'This afternoon's play will not be as printed in the Radio Times as fortunately we've listened to it again and frankly it's not up to standard. Believe me, you've had a lucky escape.'
Can't avoid it. The fear. Is this time I'm going to be found out?
On the stairs up to the office we've built in the loft are posters from different shows of mine. On the wall behind the computer monitor alongside photographs of my wife, my daughter, Brecht, Max Wall, and the bare grass of the running strip at Olympia ( the Olympia in Greece, not the one near Earl's Court) are the tickets, programmes, and brochures from my first play at Derby Playhouse. It's not ego, not entirely, more the exact opposite. I need these props to my confidence to remind what I did once in all probability I can do again, hopefully, with luck and a following wind.
Absurd. Yes. But I haven't met a single writer, no matter how much confidence they have in their work, each time they start a new piece, isn't half paralysed by the conviction that this is the time it goes completley tits up.
So I'll have my radio on at 2.15 on Monday. When it's over I'll feel pleased and grateful to the producer, the actors and the techies who made it possible, and next week's Radio Times will be placed carefully into the wall I keep building to shore up my tottering confidence as I move into the next project.
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